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Interview with Jaime Anglada

Jaime Anglada is an old school rocker, a veteran musician who feels younger than ever. The last year signed one of the best albums of the year (Stereo) and has just released an album recorded in live where we can verify that you are in an enviable fitness. In SextoHombreDigital we really wanted to talk to the Spaniard in a while and now finally have the great pleasure to offer you an interview he did a few days ago ...

- Let's start properly, who is Jaime Anglada? A quick presentation for those who do not know

Jaime is a type of Mediterranean appearance and heart so that besides his family, what she loves most is to write songs and share them. This type was born in 72.

- How is your first contact with music? At what point in your life you realize you want to devote to it?

The truth is that my first contact with music are those first voice lessons with nine years or so. I started playing alto sax. But it appeared a guitar at my sister, my friend Hugo taught me those discs of Sam Cooke and the Beatles and from there it seemed natural to want to do what I do today.

- What was the reason why you changed the saxophone and the guitar?

As I answered ... I do not know ... but ... Elvis played guitar. It may be one reason

"My first song was for a girl, so is the rock. Wanted to be like Richy Valens and have my Danna"

- Remember the first time you went on stage? And the first song you wrote?

remember with love and shame that first time. I broke three strings on my guitar !!!!! It was a disaster!
My first song was for a girl, so is the rock. Wanted to be like Richy Valens and have my Danna.

- You published your first album in 1996 from the hand of a major label like Virgin Records, how I got the chance?

The truth is he was not ready to record a first album but ... when you are ready for something that you both wanted and dreamed?
was the beginning of everything. I am grateful to all those people that made this contract.

- At this point in your life I am forced to make a small parenthesis, at that time did the role of singer on the show at eleven at Ana Obregon and Antonio Resines. How did you get the role? What are your memories of the experience? Would you go to repeat?

We are the result of all we have done and been. I just wanted to write songs and grow as such and be part of the screen without guitar was not my dream.
But he had the time and yes, I would repeat. Why not?

"Before playing to emulate my heroes, heroes now have to go save other kids'

- has since released four albums, one of them recorded live. Do you think that over time your sound has evolved? Do you see any major changes to your first job?

me I see security. Before playing to emulate my heroes, heroes now have to go save other kids. Today, sleep and work to write songs and they could be singing and sharing.

- Let's Stereo, your last album and personally I liked that. I wanted to rock, am I right?

and I have had the security of which you speak. STEREO Perhaps not my best songs, but it is my best album.

- For the Record will feature music by the likes of Toni Jurado, David Gwynn and Jose Luis Hernandez. How did you get "recruit"?

are good friends accepted immediately. I have only good words for them both as people and musicians.

- Rebeca Jiménez sings you in words that I never said and is a real weakness in writing SextoHombreDigital so, tell us how it feels to work with her? Any anecdotes?

Ease of how singing and talent and humility that follows.
Toni Jurado told me, "Rebecca has to sing on this record." A few months later I should have a female voice in STEREO. I remember what I said Toni and ... the result is "Words that I never said."

- recently presented a live album, is it a gift to loyal fans or a way to reflect the great musical moment you live?

is a surprise even to me.
was not in my plans, but did a good concert at the farm Galatzó Calvia, Mallorca and there it is !!!!!
is like a business card so you can see how we live.



- Talk about musical tastes, Who would you say were the musicians who have influenced you throughout your life?

Springsteen saved my life! Dylan, Neil Young and Van Morrison force me to write songs. But when I hear Mediterranean Serrat, say "am."

- Tell us what three albums would rescue from a fire in your house

Today suffice to rescue the IPOD !!!!!
Born to Run / Bruce Springsteen
The Freewheelin '/ Bob Dylan
¡¡¡¡¡ Then try to save everyone !!!!!!!

- The disk you are listening more lately and the song you can not take your head

Impossible Germany.

Wilco - An artist who have recently discovered and like to recommend;

My Moornig Jacket,
feel tardy!

- What musician would you like to share the stage?

with anyone who wanted to share it with me.

- One of our favorites, What album or song you hear when you're alone and you know that nobody will go and hide when you visit?

I've never done that ... but ... lately I hear "a child a woman "by Julio Iglesias," mola eh?

- Changing the subject a little, Jaime, as a veteran of the music that you are, how you're living the present moment in the industry? Do you think there solution?

The solution is to keep creating and writing and return to bet on new songs. Enough of compilations and covers !!!!!
Our job is to write, to write not need anyone other than our emotions. To sell is another story! The author and artist is the only survivor and then the industry uses as a shield.

- What is Internet Jaime Anglada, "an enemy or an ally?

A friend who sometimes betrays you.

"There will always be a guitar, a voice and a story, it is called rock and roll!"

- To be finished in SextoHombreDigital have the tradition that every guest leaves a question blindly for the next interview. In this case, Fon Román left this for you; "My feeling is that artistically we are at a low rupture, repetition of formulas. What new artistic movement / musical foretell or see on the horizon? "

will always be a voice, a guitar and a story, it is called rock and roll !!!!!

- Feel like leaving a?

What song would you put the day we hear that the war is over for good? Just one.

- What are your plans for this 2011?

Writing new songs, interpret and look and see my family grow.

- nothing more, Jaime, thanks for giving a little of your time, it was a pleasure. A hug.

Encantado, a hug and thank you very much

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The Library: The finger on the heart, Javier Giner

In his first novel, just a succession of short stories about Javier Giner (Barakaldo, 1977) we presents a set of characters who are shipwrecked on a life that did not want or have failed to live them otherwise.

Somewhere between New York and Madrid, to an intercontinental flight away develop a set of stories that do not have a lot of copies but that overwhelm humanity. The humanity of the losers, those who know they can never win.

Are your names? Their names do not matter. Is a lover waiting in a decrepit hotel, is a wanderer who spends his last coins on a call that returns light to your life, a university professor who prepared a feast to celebrate a divorce from her best friend is a reporter ' Star 'that is hosted in the same hotel room where he stayed a long time ago, hoping to relive a moment that marked his life, is an old woman who does not hesitate to stay with a stranger to ease their loneliness; a friend tells another a gathering of the most insignificant, or perhaps not, is a husband writes a love letter to his dead wife, is a child who takes revenge on her mother who abandoned him as a child, the cruellest way possible ... They are strange creatures, bizarre and, at the same time nearby. Painfully close.

They try to find happiness, but eventually lost in their own miseries. Everyone lies to feel safe, but that lie just by consuming them, and when it is too late, try to start again. But there are always second chances.

'Finger in the heart' is a novel, patchwork, vital moments, which begins with a plane crash where two unknown speakers first and last time and ends in a taxi through the cold night in Madrid, twenty years later.

Some of his players have failed to reach this point. They are among the few survivors of a world in ruins.

Are your names? Their names do not matter.



stands still with the lights off and curtains drawn, lost in the darkness that is not afraid or too afraid, playing a role he knows perfectly. That of being nonexistent. That of being not seen, or heard and has never existed and will exist until it is able to regain the power to stop other to be meaningless.




Finger in the heart
Javier Giner
Barcelona: Attic, 2006. 188 p.
ISBN: 84-934476-2-5

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CINEMA - Mars needs moms (Mars Needs Moms), Simon Wells: A Disney Class B

It is increasingly clear that the border has drawn naturally from what Disney produces by John Lasseter, Pixar's creator, whom I may be one of genius of modern cinema, and the rest of the production of mouse studies. The difference between what plays Lasseter and the rest is immense, even in cases in which the rest has another producer level, as is supposed to be Robert Zemeckis. And it is not necessary to bring the past lists of the great successes of each other in the field of animated films to make clear the difference. Needless to mention their latest titles. While Lasseter is responsible for the impeccable Enredados , Zemeckis is now with Mars needs moms, directed by Simon Wells, and there is no where to begin to compare.
It goes without saying that Mars needs moms meets and exceeds in terms of animation work. Using a technique similar to what Zemeckis and would use himself in his later films as director ( The Polar Express, Beowulf, The Ghosts of Scrooge ) Mars needs moms perfectly reproduces the faces and movements of Joan Cusack, Seth Green and Dan Fogler, the actors who provide them with the body (and voice in the original version) to the three main characters. Exactly, not a technical problem which devalues \u200b\u200bZemeckis's new film, but the imagery deployed and some ideas that run beneath the text, as long as significant in a Disney production. That's where the comparison odious as ever, returns. Because while it was a pleasure Enredados go unraveling the complex web of ties linking the characters, Mars needs moms exudes the spirit of the production that are less conservative Disney home rich.
Martian civilization has become a matriarchy. Displaced people to an inferior and condemned to the rubbish that produces a metropolis inhabited only by women, are they who rule on Mars. But they have a problem are so busy doing all the work that they have no time to be mothers. So to raise the kids, "which literally born from the soil every decade and a half, have created a series of robots nanny to fill the vacancy. But they also have lost all maternal instinct, every 15 years a mother earth selected from a single value: the ability to make their children follow the rules and orders received (sort toys, garbage, eat the whole meal). After abducting the chosen mental registration is introduced to robots and nanny and it works. The problem is that the transplant involves the death of the chosen. This is how bad luck hits the small house Milo, when Mars was carried to his mother, who just fighting over a silly fad. But Milo get to sneak into the spaceship and go to rescue her mother the very same red planet.
With a bold humor and adventure manual that mimics science fiction of the '50s, Mars needs moms proposed primarily a rescue somewhat crude values wife / homemaker, principles on which America was built just after World War II empire. The rescue of Milo on Mars is not only her mother but an entire way of looking at society: women at home is better than a hundred flying.

Article originally published in Culture and Entertainment section of Página/12.

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INTERVIEW - Alberto Laiseca: Tales from midnight to shit scared

Dante likes monsters, Heavy Metal and scary stories. When I read that the cycle moon parties and mystery close its season with tales of terror in the cemetery of Recoleta, I think it can be a nice weekend plan for that aberration 7 years is my son. At first he says no, that is to scare, but then puts on his Iron Maiden t-shirt and accept the challenge. He spends the whole trip saying he was sorry, we'd better go home, but when we come and see the guy who will tell the stories sitting between living statues, candles epileptic and a flask of polished metal, the fascination is immediate. That man looks huge and dry snuff which dyed mustache giveaway that began more than a hundred years and probably still alive because some of those pacts with the devil, so common in the nineteenth century, is Alberto Laiseca, spellcaster monster professional.
Dante and another 500 people will be the souls Laiseca delivered to the flames of fear with three stories of sheer horror. First are two classics: The Masque of the Red Death , Edgar A. Poe, and The feather pillow, Horacio Quiroga, to close with a story itself, The true story of the woman in white , written especially to be counted that night. The cemetery entrance reminds the listener that everything that counts can be real. But no one goes: Laiseca triumphs again.

"What adds to his career as a writer devoted to storytelling
" Very much, because it brings me to the first stage of our first times. The literature started before the human race had discovered a written language. We gathered around bonfires and one of us had stories. Then tell stories for all, for me is like going back to that first literature. Do I understand?
- What do you have a story to be transmitted orally?
"In principle any story can be told orally. Now, everything depends on the narrator. I would be much harder to tell certain things ... I choose the terror because it is a genre that I admire and love very much, and I feel comfortable, I'm better there. But I realize that I could tell if he wanted other things too that have nothing to do with terror.
"Besides the horror is a genre that almost begs to be told.
"But the only thing that can be told and have interest, I assure you. You can take pieces of well written books, for example The Fountainhead by Ayn Rand, which has nothing to fear, and yet the tension drops a minute.
- Why fear the kids love it so much?
- Ah! Is you're asking a guy. Or at least a guy who has 70 years although he remembers everything that happened when I was a kid. I was shit scared, but would like to listen to the old that was in my village who told stories of terror. Then could not sleep, of course, with those things people buried alive horror stories!
- So where's the big fascination?
"The kids want to grow and like. Why grow? Because they know that they are telling stories, though they sound crazy, always have something real. The monsters there, skinny: There are witches, dragons and five meters toad that comes and eats you. There is everything. One way or another. The kids have fewer prejudices than adults and are therefore at his best when he told these stories, because they know they are true.
- A taste for horror stories is a way out of something else?
-Escape no. I would identify, learn to live with the real terror. That's why I oppose the tendency to tell the boys stories "flu", where "we are all angels." Then the kid comes out and violate him in the corner, you know? The horror stories, serve as vaccine for kids. They must know that the horror and evil exist, to defend themselves.
- Did you realize that mesmerize his listeners?
- No, I do not know! I realize that they like and try to do that, yes.
- How do you feel when you get it?
- Joy! Fortunately, that's why I break your ass, pretty old, so that you would like. Or do you think this is spontaneous? Weeks I am studying the stories! Look: The Masque of the Red Death I first read it at age 17. Now I have 70 ... how many times I read that story? Lots! But never, never learn anything. These same stories told today, I can not count within 10 days, unless the study again! You have to study and work hard.

People who have come to listen to the cemetery Laiseca not to want to greet him, touch him or hug him, as if it were a witch doctor just tell you a story to his tribe, gathered around him. As if that were carried to always a piece of that night. Beside him is his daughter, who is waiting with patience proud to go home together in the middle. As I myself brought my son to tell him that this witch stories, it is logical that I can think of wanting to know what he would tell stories to their own children when you send them to bed. The possibility curiosity I piled on the tip of the tongue. When he sees me go to her with a knife grabadorcito, the tall blonde girl can not hide the shame and begs me not to. But journalists have the genetics of an old neighborhood.

"I imagine your father told you bedtime stories. What was your favorite?
I do not know ... had one, how was it? It was about a village in China, at a time when there were very hungry ... Dad, how was the story of the giant rice?

When you hear the invocation of his daughter, Laiseca appears straight out of a freshly rubbed Persian lamp. Father

Ah ... no ... I remember that
Daughter, "You see, to me he invented and then forgotten. That's the worst ... There was very hungry ...
P-Yes, very hungry and a magician called for rice, a single grain of rice. He took it and made it big and then they cut bits ... HY
all ate well and never starved. That was my favorite. "I see you have
had to practice with.
H-Yes, I always told stories. And I loved it.
P-Egyptian Stories. Remember?
H "It is true tales of pharaohs mummy ...
PY ...
H-Yes, that! Mummies and stuffed crocodiles fighting for good, right! That was very good! P-
eternal struggle because neither could die, or mummies or embalmed crocodiles.
H-Yes. But there were also two magicians ...
P-Enemies.
H-Yes, enemies. And one was a mummy and the other a stuffed crocodile. And then they did fight, but the mummy and the crocodile did not want to fight each other. P-But
had no choice.
H-is true. They had no choice. PY

H-fought ... ... for all eternity.
P-Imagine: no one could die. The

Laiseca laugh, they love the laughter and the echo of those stories, now live between the bricks that enclose in their embrace the old to the Recoleta cemetery. Immortal.
That night, happy, Dante will move to the bed of their parents.

Interview originally published in the supplement Culture Argentine Time.

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CINEMA - The estate of Jonathan Perel: Look at the death and resurrection

When turning 35 years of the coup that most frightening of memory in Argentina, memory is just the keyword. The premiere of the film The site , Jonathan Perel, is undoubtedly one of the highest points in the list of acts with which we commemorate today that date. Regardless of any story that is not directly tell which images that compose it, the premises intended to be a tour of what is now the Cultural Center of Memory Haroldo Conti, but until recently was the School of Mechanical Armada, ESMA. But a tour without trial, underlining that force the audience's emotions, where a succession of still shots aseptic, but not innocent, force the viewer to fill with its own history of memory holes. A traveling
long and fractured, retraces the back roads of this venue broad and gentle, generous old trees where the birds singing and wind noise filtering through the branches is all that is heard. Not even the distant sound of some engines seems to be sufficient evidence of life: the end of the day are just that, machines. Perel, who was born in 1976 - chose to escape the human figure and thus the place is what it is: one dead, the corpse of a military barracks. What's in those walls psoriasis in the foreground, to which the plaster or left? What happened in those rooms now empty and in the shadows? What sounds roamed those halls abandoned, where now it echoes some echo of silence fat? "There was laughter, there were dreams, there pain? Perel's camera does not give answers. Perel chamber suggests that perhaps there are none. Perel chamber suggests that each must find their own.
Like a mystical story (or mythical), The site is also the story of a resurrection. In these same rooms where once the death was planned, many gather today to live music, film, word, the communal experience of giving and receiving only the pleasure of sharing a film, a hand-illustrated wall, a potato garden. The duplicity, the old Ying and Yang going to make sense in a building, the most graphic symbols of a past horror is reborn in space do not forget, this is always a continuum. The site is planned every Thursday, Friday and Sunday at 22 and Saturdays at 20, in room CC Cosmos Rojas, Av Corrientes 2046, until April 6, resuming from 21 April until 1 May, Thursday through Sunday at 22.

Article originally published in the Culture section Argentine Time.