It is increasingly clear that the border has drawn naturally from what Disney produces by John Lasseter, Pixar's creator, whom I may be one of genius of modern cinema, and the rest of the production of mouse studies. The difference between what plays Lasseter and the rest is immense, even in cases in which the rest has another producer level, as is supposed to be Robert Zemeckis. And it is not necessary to bring the past lists of the great successes of each other in the field of animated films to make clear the difference. Needless to mention their latest titles. While Lasseter is responsible for the impeccable Enredados , Zemeckis is now with Mars needs moms, directed by Simon Wells, and there is no where to begin to compare. It goes without saying that Mars needs moms meets and exceeds in terms of animation work. Using a technique similar to what Zemeckis and would use himself in his later films as director ( The Polar Express, Beowulf, The Ghosts of Scrooge ) Mars needs moms perfectly reproduces the faces and movements of Joan Cusack, Seth Green and Dan Fogler, the actors who provide them with the body (and voice in the original version) to the three main characters. Exactly, not a technical problem which devalues \u200b\u200bZemeckis's new film, but the imagery deployed and some ideas that run beneath the text, as long as significant in a Disney production. That's where the comparison odious as ever, returns. Because while it was a pleasure Enredados go unraveling the complex web of ties linking the characters, Mars needs moms exudes the spirit of the production that are less conservative Disney home rich.
Martian civilization has become a matriarchy. Displaced people to an inferior and condemned to the rubbish that produces a metropolis inhabited only by women, are they who rule on Mars. But they have a problem are so busy doing all the work that they have no time to be mothers. So to raise the kids, "which literally born from the soil every decade and a half, have created a series of robots nanny to fill the vacancy. But they also have lost all maternal instinct, every 15 years a mother earth selected from a single value: the ability to make their children follow the rules and orders received (sort toys, garbage, eat the whole meal). After abducting the chosen mental registration is introduced to robots and nanny and it works. The problem is that the transplant involves the death of the chosen. This is how bad luck hits the small house Milo, when Mars was carried to his mother, who just fighting over a silly fad. But Milo get to sneak into the spaceship and go to rescue her mother the very same red planet.
With a bold humor and adventure manual that mimics science fiction of the '50s, Mars needs moms proposed primarily a rescue somewhat crude values wife / homemaker, principles on which America was built just after World War II empire. The rescue of Milo on Mars is not only her mother but an entire way of looking at society: women at home is better than a hundred flying.
Article originally published in Culture and Entertainment section of Página/12.
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