One of the arguments against the criticism is that often looks to the movies without having in mind that Godard himself is not the Farrelly brothers, which should be at each he claims. While that statement is somewhat valid, the problem of who should take the time to consider the cinema as an art or creation is not intended to judge the person in charge, but the result, what you see on screen. This item is no stranger when it comes to evaluating Torrente 4: lethal crisis, a new police unpleasant film created by the English Madrid Santiago Segura, which could be neglected by crude, rude and contrary to good taste (aesthetic and political). In part they are right and who the judge. Torrente 4 is vulgar and scatological, and makes humor from such sensitive issues as corruption, sexism, homosexuality, xenophobia and racism. And do not hesitate a moment to use the disabled of all kinds, foreign, old or individuals brutalized as a conducting material of that humor. In short, a worthless movie. But c'mon: it's funny, dammit! No action is bad per se at the time of making films, the question is why and with what results are being used. The list of mistakes listed is not free, but is meant to serve as a remarkable character José Luis Torrente, a former cop who now does not hesitate to abuse in order to get any personal gain by mean anything. Notable because it portrays strength and grace to a sector of society that is anything but funny, without losing sight of even a second that this is a criticism. Clear that notice must be enabled at least some symbolic capacity and powers mental requirements, as that which distinguishes between good and evil. Torrente 4 judge as racist, homophobic or xenophobic, or simply to right, is like trying to Miki Vanilla is a literal expression Diego Capusotto (who Segura pleaded fan), not understanding that this is a joke the object portrayed. One criticism with his feet in the mud. As for the charge of sexist, because there is nothing to be done: no doubt he is guilty, taking into account the role of a sex toy accessories and is the female figure, not only for the movie character, but as a resource.
is true that while the movie plays with that vulgar humor, on the other allows the use of the classic tricks slapstick and even a pitch to children (the scene of Torrente going undercover in a strange house is a string of gags old, innocent and effective). Even with her grace (and still well above Torrente 3: The Protector ), it must be said that this fourth installment has some loose nuts. The use of 3D is one of them, therefore there are few scenes that justify and none too effective (maybe, just may be as valid one that leads to its ne plus ultra the famous joke of soap in the bathroom). Another weak point shared with the third installment, is the absence of a strong partner: work Kiko Rivera did not come close to the characters built by Javier Cámara and Gabino Diego in the first two. And just a few of the many cameos will be enjoyed by the domestic public (the singer David Bisbal or e Higuain Aguero players), but most belong to the English fauna too homely here do not add grace where they should. In short, Torrente 4 lovers will laugh more nonsensical humor, but not those who are ashamed of this guy out of place (there's always one), ruining the family parties with burps, farts and jokes in bad taste. Have been warned.
Article published originally Culture and Entertainment section of Página/12.
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