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CINEMA - Sleeping in the sun, Alexander Chomsky: In the movies Bioy Casares

are not usual in Argentine cinema crosses with the classics of literature itself. Perhaps the busiest it Cortazar's work, visited by more than tripled during the 60's by a young Manuel Antin and has a dozen other adjustments (including those made by Michelangelo Antonioni and Jean-Luc Godard). Borges, Arlt, Lugones, Güiraldes and others of later generations were not as tours of the local film industry, much less global. Contrary to what one might think, within this group also found Adolfo Bioy Casares. One would think that a novel so popular Inventing Morel should have at least a half dozen adaptations, but only if you count two, both made more than 35 years in Europe (excluding non-accredited and its possible relationship with the famous Marienbad, Alain Resnais). This year two news
surprised just by going against this trend. The first was the beginning of the adaptation of The real lemon, the novel by Juan José Saer (another forgotten) at the hands of renowned director Gustavo Fontan (recently recognized with an award for his career Konex). The other is the journey that is starting to take the festival circuit Sleeping sun, adaptation to the director Alejandro Chomski made from the famous novel by Bioy Casares, as outlined above successfully in the San Francisco International Film Festival, in the United States. However, with Bioy Chomski relationship did not begin with this work. "I had adapted to Bioy in 1993 when I filmed Escape across a version of the story 'plans for a flight to Caramel." From there we began to discuss the adaptation of Sleeping sun, because we felt we had a chance to get to have a tone buñuelesco, director both greatly admire. "

- Was it difficult get authorization to do so?
"It was difficult, because the rights-ba does not administer it but the famous agent Carmen Balcells in Barcelona, \u200b\u200band since I expressed my intention of filming, the rights passed through different people and companies before they are free. Just got the approval years after the death of Bioy and thanks to the efforts of his son Fabian, who knew my relationship with his father and my interest in the novel.
- Why did you bring sleeping sun and no other work by Bioy Casares?
"But the novel itself, and bet the tone he had to get to get to a good film, they were challenges that I wanted to undertake. I wrote 17 versions of the script until a satisfactory draft. Imagine that only a few weeks of filming I felt I was ready to be translated into visual images.
- Never was intimidating to have to respond to the expectation of bringing the film to a prestigious author?
-No. Not at that time. I started working on the book in 1995 and then was much younger and unconscious: not sure where I was getting ...
- So what does this movie in your filmography?
"It's a movie that makes me proud. It's a miracle that has finally been able to do with the quality that was achieved. At one point, it seemed impossible to realize, it's risky and commerciality issue: the failure to successfully done before and a film about this specific genre was, and still is, although a little less-a leap.
"Given these risks, how it was in the projections in San Francisco?
"The film ran to full house three times and always sold-out. People laughed a lot in the projections and more than half the audience stayed to the subsequent discussions. And the opinions of the critics were all excellent.
- What other festivals will attend with the sun Sleeping ?
, had its world premiere at the Pusan \u200b\u200bFilm Festival, the largest in the world of Asia, where he was the only Argentine film to participate, and also in international festivals in Chicago, Goa, San Pablo, Havana, Jakarta and Santa Barbara . The following is the festival of Montreal, and then the European premiere at the international festival in Karlovy Vary, Czech Republic. In Argentina, we hope to be debuting this year during the month of September. Article

originally published in the Culture section Argentine Time.

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Interview with Julio de la Rosa

Musician, writer, soundtrack composer, music director ... Julio de la Rosa is without doubt one of the most prolific artists on the national scene. Published a few months ago Wound Universal, an album that amazed everyone in the newsroom and we really wanted to talk to him. Here is the conversation we had with Julio, do not miss ...


First of all, one of rigor, "Who is Julio de la Rosa? How do you introduce yourself to people you do not know?

Hello, my name is Julio, how are you. Encantado.


If anything you can say is that you are a multifaceted (composer, musician, writer ...), an artist in every aspect, "why is that so curious?

A I get bored easily, I guess. I like everything, is a drama.

What "discipline" you feel more comfortable with the music or literature?

recently, making music. Usually, with the music.

"I took some pills from those that make you happy, but I erased the memory. Now there is only this, a present, which is always a gift. "

Looking at your musical career note that, in addition to your stage with Bubble Man, also participated in other training, Ghost # 3. What memories guards of the two periods?

I took some pills from those that leave you very happy, but I erased the memory. Now there is only the present, a present, which is always a gift.

Did you find the ultimate stability career that has taken on its own, which has already released four LPs?

I'm not sure what is stability, but Well, the fact is that I get an album every two years and while I dedicate myself to do soundtracks for movies. The last one has been able to see is first, Daniel Sánchez Arévalo. The last album I've made Universal Wound . But stability does not exist in this profession, you have it to manufacture and, sometimes works sometimes not.

seems you comply strictly with the average an album every two years. Is it something you set out or just pure coincidence?

Well so far has been purely coincidental. It is true that there is a moment I realize that makes the time I pulled the old disk and I get up again.


talk about your latest album, what we find in Universal Wound ?

16 songs in 47 minutes, 16 bit, 44,100 Hz. Look good, right?

personally think is your best album, what is your opinion?

I have no respect. But I was very happy when I finished. How

catalogarías your music?

That's not my job, thank god. I have enough to do it ...

The disc appears to be clearly divided into two parts: what was your intention to "split" in this way?

were many songs and had to be structured well. I also wanted to make a vinyl, with his face A and face B, which helped me to sort it.

"My holidays are often an excuse to do something that I have no time to make the rest of the time."

Besides writing all the songs, you yourself have in charge of producing, recording and mastering the disc, besides playing "a bit of everything ", as you say in the credits. As if this were not enough, you also took care of the picture disc and manages the music, Is not it exhausting much involvement in the disk, or do you see it necessary?

Yes I did everything, but the mastering was done by Dany Richter and the cover photo is Laura Prieto, Celia design Arcos. But it is true, now that fall, are on the album several pictures of my house that I did. I suppose they are stages, there are times when I delegate a lot and others that want to do everything. Ass I'm restless, so although I get tired, it's my way of having fun. My Vacation often an excuse to do something that I have no time to make the rest of the time. In my case, and in my experience, the more concerned I am of the various processes are not only happier I stay, but I get compliments. So try getting involved in everything I do.

What response is getting the album by the public and critics? Despite the times, is it still worthwhile to release albums?

to me is that I like, what are you going to do. The next thing I do is publish a book of poems, and you tell me if that does not even less sense. But I can not devote to what worthwhile simply because it's worth. Among other things because the penalty is never worth anything, worth the witty wordplay.

Among the musicians with whom he recorded Universal Wound Abraham Boba is an artist who greatly admired here in SextoHombreDigital. Tell us, how about working with him?

Let's see, Boba is my neighbor, so I will not speak ill of him will not be to call the police every time I get to make noise. It works very well, of course. In fact my partner also common in some of the commissions that I make films. Domina great musical space, the space between the notes, which to me is one of the most important aspects in which it sees as a musician. If you drop the notes where there is still nothing, then you're good. That's right. It is also more versatile than it seems, at first glance.

On stage, "acoustic or band? How do you feel most comfortable?

comfort on stage does not depend on that, I fear. It is more important to be comfortable on your mood that day, the sound, the room and, especially, the public, which is to be to blame for almost everything that happens at a concert.

change of pace, What is Internet Julio de la Rosa? A friend or an enemy? Allied

. I do not know why it should be an enemy. I understand that record companies may have to be at the outset. But either you or shut down alias.

What do you think about social networks and their relationship with music? Do you use?

Yes, once used Myspace, now I've forgotten my password and I can not enter. Now I use Facebook. Until I forget the password, I guess. Maybe I should make myself a Twitter, or so they say to me, anyway. I seem to bullshit, to tell you the truth, but are a way of being around people that you hear, that are abreast of what you do, so as to cease to be that (bullshit). It's like everything, depends on what you give them. Up to Ak-47 can be wonderful, if not use it to kill someone.

As a consumer of music, "CD, vinyl or mp3? Why?

I'm a bit the same, while the sound quality let you enjoy the music. But what is certain is that vinyl is warmer due to harmonics generated, the cd is more powerful, precisely because there are those harmonics and mixed frequencies less, and finally the mp3 can be useful for certain things, I try consignment parts for my mp3 soundtracks, often. But it's a shame to want to enjoy an album in mp3 because it does lose enough quality, especially in its lower bitrates, which should disappear as a technical possibility. Make them know where it belongs, please.


Who would you say are your musical references to the national level? What about internationally?

I heard so much music in my life and have influenced me so much, I would have to make a list long. Keeping to my last album, I can tell you are out there The Clash , Violeta Parra, the Brazilian Tropicalia movement in general; Radio Futura, Wilco , Norfolk & Western , Ian Dury and even Toyland. And not because they are my favorites, which of course I like, but are those who have cast this time in my songs. I say they have been cast, I will not let them enter.

"If a fire would burn my CDs while I take pictures on fire."

What three albums in your collection, a terrible fire rescue?

If a fire would burn my CDs while I take pictures on fire. And what I would be the portfolio, for that to remain one, after the catastrophe. If you mean three albums that I like very much, you could say for example The Name of This Band is Talking Heads , The Legendary Marvin Pontiac of John Lurie or Live from a Shark Cage , of Papa M .


If you could choose a female voice, the you want, for one of your songs, who would you choose?

In my last few records I called Ainara Legardon to Queyi to Marta L. Lazarus. All great singers and actresses. And now I have a record half (thirds) with Laura Gibson and Rauelsson , due out god knows when. Laura has a voice like few I've heard in my life, it's magic.

disk What has surprised you lately and we recommend? Minor

Epic of Daniel Llamas is really good. Also of Abraham Boba , Desert Days (no 's' end). That of Havalina , The Leaves, is very good. And failing to sweep back home, although not a recent surprise, the soundtrack to Ascensour Pour L'Echafauld , Elevator to the Gallows , the film of Louis Malle that Miles Davis music unique sound track that man did. It is ideal for certain times.

What is the best concert I've attended lately?

I have now come to a head that gave Beck Festimad in a decade ago. Is it accepted as 'lately'?

One of our favorites; Confess what you listen hard when you're alone and hide when you visit?

Oh god, sorry to disappoint, but do not hide records. I like my friends laugh at me when I showed the disc I have of Fields of the Nephilim, for example. But they never hear. But what I do when I rave about is graciosillo Lens Cleaner, Have you heard this? Is the host. Until you realize that the CD Lens Cleaner is a cleaner.

To go finishing in SextoHombreDigital have the tradition that every guest leaves a question "blind" to the next interview. In your case, Javier Almazán (Copilot), we leave it to you; "You said you liked a record that, at bottom, can not stand because it was supposed to like? "Once? More than five? More than ten? "

Not one, no, I do those things. But come will, play. Once, in Copilot, which is supposed to very well but I find it unbearable. Javi hug.

Feel like you leave one?

The river. Espesita questions. Did you write is because it has happened, or happens once you've written? Just

, Julio, a real pleasure talking with you. A hug, see you.

Ditto. Another hug.

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Corteo Cirque du Soleil ...

I've always liked the circus. Eye, The Circus in capital letters, not the Parliament. Yes, I like the 'serious', which generates hope, optimism ... joy. The other, which makes me bad, very bad host, I leave it to others.

So whenever I can, and the dates match, do not hesitate to drop me one of these Entertainment. This time it is the turn of the Circus of the Sun and the show Corteo, which goes these days in Madrid, the Casa de Campo. Originally

Québec and with over twenty years standing, the Cirque du Soleil has five shows now being represented throughout the world, plus a few fixed, Las Vegas, and one of them walking around here these days .

Corteo ('Entourage'), established in 2005, its fourteenth show. It tells the story of an old clown who, when dying, imagines his own funeral. Thus, in his dream farewell procession will gather friends of all kinds and will yield a last respects. From there, two hours full of acrobatics, contortions, a few surprises and, above all, humor and fantasy. Drawing in almost anything (giant balloons, a ladder, beds, rings ...) to get the most insane real hallucinations.

Live music and a subtle and elegant scenery contribute to build this dream world where the old clown will review your life. Perhaps

Corteo has no force or the spectacle of his other shows such as 'Joy', but neither is missing. Because this time represent the world of dreams, of fantasy ... magic, elegance, virtuosity ... and the possibility of the impossible things.

Cirque du Soleil: instructions.

1. Sit
2. Eyes wide open.
3. Back to believe, as when we were children, in magic. In that magic pure, simple and, therefore, impossible.

again.

If you like to see them, you have to hurry. Corteo will remain in Madrid until June 5. If you do not you come on time, do not worry. They have three other English cities on his tour. Valencia, from 16 June to 10 July, Alicante from 28 July to 28 August and Seville, from September 8 to October 9.

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INTERVIEW - Diego Mohadeb, director of marketing for Alpargatas: On your feet

Someone said Eternauta saw himself walking the streets of Buenos Aires. And the legendary shoes are back arrow. Perhaps the two stories are actually one, but it is best to start at the beginning.
Every culture has its distinguishing characteristics, their tracks and make it recognizable brands in the world of human events. An archive of identity, like the rings in the trunks of trees, allows for different interpretations and recognize a vivid way some milestones in the history of peoples. Stories not only accumulate names, but also objects, pictures, small mementos stolen time: history memorabilia.
Along with the consolidation of capitalism and industrial processes, appears in the twentieth century mass culture, in addition to using traditional forms such as literature, music and painting, began to build supports that are typical of the time. Thus arose the film and her younger sister, the story. But the explosion of the industry also began to produce consumer products, which eventually ended up stuck to the popular imagery of these cultures. Thus arose trademarks, whose very appearance is a direct reference to identities specific national: American soft drinks, Japanese motorcycles, the red car Italian Argentine sandals. Just
Alpargatas is a company of 125 years, which began to grow with the manufacture of traditional jute-soled shoes that are always used in the field. With the decision to expand the market in the '50s and '60s created new brands, including shoes Arrow, the first national production and one of those responsible for the popularisation of sports shoes in the country. It was a great icon of the company for a long time and as many brands had its ups and downs, until around 2000 (with the great crisis in the making) decided discontinued. In keeping with the times, the company has just relaunched the arrow joining forces with other icons of Nac & Pop These three collections, tribute, including the reborn insert game Rasti; to Mafalda, Queen national cartoon girl, and nothing less than The Eternauta , the great creation of Hector Oesterheld (closed during military dictatorship), and artist Francisco Solano Lopez, the most important graphic novel of the Argentine comics. "We think what he could count on Arrow. The first thing we thought was to maintain its brand value flag in which the country can recognize some of its history, " Diego says Mohadeb, marketing director in charge of the project. "So we look for other expressions of our popular culture and so these three icons Argentines appeared related to young people, which is the natural age-Arrow and history."

- Does the work was done in collaboration with Solano Lopez?
"Of course. We work closely with him to see how we could make resurface two important symbols of Argentina, such as The Eternauta fundamental as the comic book, Argentina, and this mark as a reference to the domestic industry. Obviously, to work the character needed rights-which are not easy to get, like those of Mafalda - but the truth that when we told them the project, which meant arrow and what we wanted to redo both Solano and accepted Quino delighted. "The Eternauta
always had a strong political reading. How it absorbs the brand?
"The political significance is undeniable, the same goes for Mafalda , but we believe that the value of these creations than political, which is much stronger and broader in the artistic and cultural. The creativity behind the characters and the Argentine character is the value we wanted to rescue. Now for example, some political groups have also taken the character from their political view, and although both readings are complementary, we are not looking that association, just because they are on parallel paths. We thought it appropriate to assist in strengthening Eternauta The Cartoon as national icon and people connected with the drawing and to the design, so feel that way.
"It happens that the two characters represent the political history or look in a critical way.
"Well, we are political animals and we can not hide the relationship between the historical reading of both stories and the values \u200b\u200bwe try to save as a brand and company. That is, we have history in Argentina, we recognize and we feel that these icons that are part of that history themselves have sufficient power to represent it. Anyway, perhaps this is part of a post rationalization: the reality is that what we seek was to relate the issues that both the characters and brand share as recognizable symbols of popular culture in Argentina. And from there to settle in the imagination as a mark of national flag, as with sandals. All social analysis and project look seems very wise, but honestly it was not our starting point.
- What was the commercial product acceptance?
"The shoes were released a short time ago, but in design environments, the media and the comic will tell you that the project has had excellent reception. A goal we are working is to give more visibility to the project: I think we need to do more than met our Eternauta. It is an almost personal score to settle, because I love to give the story, from our place, the push it deserves as a central theme in the genre. Anyway I think we should give it time: many times since we are eager to achieve marketing goals and this in fact is a process. I think with Mafalda work is easier because the character is much more massive. It is a project that we are still at an early stage seed and hopefully grow as we get it.
"So far we talked about what you bring these characters to make, but what this cross brings the characters?
We believe that something important may be the match on the idea of \u200b\u200brescuing a simpler world, coming to claim the basics against ostentatious, for example, the design we're used to seeing in global brands. Of course, while we respect the historic design and recognizable brand the Arrow of today are non-existent technology applied in the '60s and '70s, allowing you to compete on equal terms. Beyond that, it is very difficult for the brand can add something as complex characters and strong: it is we who drank more than we can provide. Beyond keeping force or claim them. Perhaps that bit against how much we get, but it is an honor to collaborate from our place in its dissemination.
"These partnerships are common among pop culture icons foreign and clothing lines, but do you remember you have done before with characters from the national culture? He
have smaller enterprises, design studies for example, limited collections. But I would say that massive, industrial scale, this is the first time. We have the competitive advantage of producing in the country, smaller brands that manufacture their products send out are not in a position to take. As for international brands, it is known that the costs of producing a large scale, for example in China, are much lower, but the fact that 90% of our national production is giving us the opportunity to be closer to the Argentine consumer the others are not. And that itself is a political decision.
- What do you think that this decision favored agreements with Solano and Quino?
"I think so, as if they had gone international brands to propose something like that would not have achieved these agreements. I'm convinced of that and very proud.

no longer snows in Buenos Aires (not now, maybe even more). But thanks to Arrow, Eternauta The first real walk on the streets of his city.

Article originally published in the Culture section Argentine Time.

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Eternauta BOOKS - Metropolis, Fernando Martín Peña: Chronicle of a discovery announced

Some movies worth seeing more than once, because from the desire to push the viewer to repeat the experience pleasure. Similarly there are stories that are happy to hear again, but the story has been told many times. One is the researcher and collector of movies Fernando Martín Peña, in his book Metropolis. This is a story whose purpose is to expose the details of the discovery of the only complete copy of this great classic film Metropolis is (1927), German Fritz Lang, a widespread news that shocked the world of cinema. Beyond the reconstruction punctilious Peña makes route as absurd film and gradual process of mutilation, which becomes unique to this version of the familiar story is, above all, the tone acquires police when he begins the story of the discovery. There, a Peña become a sort of Philip Marlowe is accumulating evidence for 20 years, including an unexpected revelation, the confrontation with two unscrupulous bureaucrats and to a woman (Paula Félix-Didier, director of the Museum of Cinema) to help close Metropolis case shortly after that seems unsolvable. That end is actually the beginning of another story, the final restoration of one of the most notable icons of twentieth century culture. The edition is completed by an appendix consisting of reviews of the film made at the time of its release in 1928 and harsh criticism that will conduct the English writer HG Wells.

Article originally published in the Culture section Argentine Time.

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Sextohombredigital 2nd Anniversary!

730 days!

states soon! But 730 days have passed since Sextohombredigital opened its doors to the world. 730 days with long nights.

At this time, we heard plenty of records, we read the odd book, we met great artists who have left an indelible mark, and great people that have given meaning to each of the lines here we have shaped.

We laughed, shared dreams, received gifts, enjoyed small successes, and amazed at some dedications we ever imagined.

addition to writing about what fills us, we have to the fiber, or direct the balls, we stick the luxury of a concert (said soon!).

always carried Albacete and the people who wanted to join us for our first anniversary, deep down inside! Thanks again to TARANCÓN MANOLO, ALFREDO GONZALEZ, DANIEL MERINO, EDU VAZQUEZ, FABIAN, PABLO MORO, and IVO CARLOS MADRID (Voodoo Doll), for that magical night!

And good lasts forever in the memory and the less good, we tend to leave soon hand, we are willing to organize another CONCIERTACO OF BUENOS to celebrate our anniversary 2!

We decided to pull the boat out and have two of our bands / artists favorites. With the architects of two of the greatest albums of the year . BIRD SUNRISE & FABIAN . All a real luxury!

This year, the city chosen is SAN SEBASTIAN. Saturday June 18, at 2100 hours Le Bukowski, will take place for many is regarded as THE CONCERT OF THE YEAR! Tickets are limited! 8 euros in advance, 10 box office! And with it, will be drawn shirt factory colors!

THANKS FABIAN to BIRD SUNRISE and for wanting to be our friends and sponsors who have put their important grain of sand, for this to succeed: The factory colors, Miss Manukian, EnterComunicación, Dale Creativity, Atari, Saltxipi, Interbasque and Good and Santer, to which we SEXTOHOMBREDIGITAL!

Sextohombredigital

Thanks guys for making dreams come true!

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A festival: SOS 4.8

In just 4 years, Estrella Levante SOS 4.8 Festival has become one of the largest in the country (perhaps the "Hispanicized" in terms of attendance) and serves as a starting point to the summer festival season.

In my third experience at the event Murcia, I could see the evolution of the public who has made this year reached maximum levels (40,000 per night is no small feat) and perhaps slightly above la capacidad de la organización, que dicho sea de paso, es de un nivel más que aceptable. Lo de tener cobertura para poder llamar a tu madre o para que tu ex escuche Copenhague a través de tu móvil dentro del reciento es otra cosa.

Con un cartel atractivo como es costumbre, aunque algo más orientado a la música de baile, arrancamos nuestra aventura del viernes en el escenario Jagermeister, el pequeño de los dos principales. Y nuestro primer objetivo eran los catalanes Manel. Que decir, no creo que su música tenga cabida en este tipo de eventos y además, espero que sepáis perdonarnos, teníamos más hambre que otra cosa. Y lo voy a decir: no me van, creo que están sobrevalorados y que have more hype than anything else. I let go, I feel much better.

After recover energy, Baby Arizona was our next stop. With that image so seventies and a great sound of acoustic guitars, got the public in the pocket to the first change. A little bit of rock is always welcome.

Vetusta Morla was one of the highlights of the first day of festival. And so the stage attested to the llenazo Estrella Levante, ready to chant the great hits of Madrid. However, the first part of the concert was dedicated to present their second album, Map, which meant that people were colder than normal. In particular, it was the the concert more enjoyable (great man bag or On rare), which eventually became a karaoke when it came time to Copenhagen, Brave or squaring the circle.

closed the night with MGMT. Basically I wanted to see the feelings that I produced her albums and it was: I do not like to waste time.

In conjunction with scheduled performances in the exhibition center of Fica, on Saturday at noon we enjoyed in the central Plaza de las Flores of Mujeres direct and Last Bathers, of which we have already spoken once and that releasing their fantastic debut album in June. Take note.

Late afternoon, we returned to "mess" to enjoy the concert of the Second Murcia. With the usual pose us so much (dis) like, gave a concert as energetic as usual and ended in ecstasy with the components of Bar Barry on stage. His second album in Castilian, Dreamers Too, they must lie in the place they deserve in the pop scene state. Many

had wanted them to extravagant Hi Everybody, that were less than in concert, leaving more than one with an open mouth with its proposal echoes a more hippies Arcade Fire yet.
swift
From there we made the big stage to see one de los conciertos más esperados por un servidor, el de los británicos Editors. Seré sincero, en los primeros minutos del show me sentí defraudado hasta el punto de plantearme buscar la barra más próxima, pero poco a poco se vinieron arriba para acabar arrasando con todo y dar uno de los mejores conciertos de todo el fin de semana. En temas como Munich, Papillon o You don’t know love demostraron todo su potencial, que es mucho. Y además poseen uno de los mejores front-man del rock actual.

Hablando de front-man, el amigo Brett Anderson y su resucitada banda eran los siguientes en salir al escenario. Suede dieron un concierto plagado de hits y que sin embargo resultó plano y falto de feeling. Los problemas de sonido and apparently were among the group members themselves did not help. The biggest festival hook finally be the big disappointment.

What came from there, is a blur in my mind. But they say Lory Meyers and walked out! craziest gave the concert a day. I believe.

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BOOKS - Three lights (Foster), by Claire Keegan: Seduce to nullify any defense


In the world of literature, every so often happens that some names are secret, warm whispers multiply that by pushing from one ear to another, that his promise to stay there for safekeeping, until fate allows them to live a lot of pages that we finally made it read. Among those names come from far away, mounted on a chain of breaths, is that of the Irish Claire Keegan. In her recently published novel Three lights , Who will be proof enough for those who expected the sound of her name embodied in a book to see how wonderful it may be the art of letters, when a craftsman efficient across the paper. Three lights
tells a story set in Ireland, but the imagination of those who read the novel then transferred to an environment closer and more recognizable, more personal. There's a clue: right before our eyes, the local becomes universal without knowing at what point the rabbit was in and out of a hat. Is it because, like good books, the story of the girl who goes to the house of a couple of friends of his parents, who live alone in a small town neighbor of his family in the rural Irish countryside until his mother gives birth to a new baby sister is crossed internally by a number of lines that are enriching, reorienting and meaning to the story. It soon becomes clear that it has much more than anecdotal.
Keegan is able to create extremely vivid and powerful scenes in the only way possible, from a language management, without sacrificing richness and poetic, it is strong on simplicity. "I sink the bucket and I'll take it to his lips. This water is cold and clean as any you've tried before, has the pleasure of my father leaving, it never having been, to have nothing after he left. [...] Bebo six measures of water and hope that, for now, here without shame or secrets to be my home. " That girl used to live in constant clutter of a large family, he discovers that in the solitude of a transitional home, inhabited only by Mr. Kinsella and his wife, for the first time feel together. Something breaks and thence Keegan speaks of desire and pain, and especially of the intimate bond that unites these two occasions not so distant relatives. "Kinsella takes me by the hand. Just grab me, I realize that my father never took me by the hand and part of me wants to let me go Kinsella not to feel that. " Keegan seduces us patiently dismantled. When at last we are off, stripped of any defense with equal skill strikes the final blow.

Article originally published in the supplement Culture Argentine Time.

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CINEMA - That thing works (Whatever works), Woody Allen: The old joke of a master

For these reasons they may be called fate, chance or business, for that matter, did the last Woody Allen film premieres in Buenos Aires three months after the penultimate and just one more day later than the last had its world premiere at the opening of Cannes. This investment makes Q ue the thing to work , 2009 movie, succeeds Meet the man of your dreams (2010), who passed through here in early February with the relative success always Allen's films. Enough that their jobs keep coming, even the less fortunate, as is the case. A curious fact works as a trigger. While Woody Allen has filmed six years in different cities of the Old Continent, that the thing to work does not belong to the European series of Match Point is the newcomer Midnight in Paris. For a while the old Woody was allowed to return their cameras to their NYC wanted to shoot this comedy that took a bit of voluntary exile. Impossible to avoid
the commonplace to refer to the bulk of his earlier work, as Borges, Allen insists on rewriting the same stories over and over again, each time testing innovative twists. Target this time just get reach, although the first 15 minutes promise a lot. The role is usually the director himself when allowed to inhabit both edges of the screen, this time played by Larry David, a successful writer of Seinfeld , remarkable resemblance to Carlitos Bianchi. Boris is a quantum physicist in his sixties, absolute genius, once mentioned as a candidate for the Nobel, who nevertheless can not fail to see the world in the worst way. It's terrific, sarcastic, hypochondriacal, phobic and many other things that the characters of Woody trailing since the first film as director in 1966 (and before that). But Boris has a more or less unexpected extra: it is extremely aggressive, verbally and even physically violent. For him, the others-including his friends are idiots, losers, ignorant and even mentally retarded not to understand that they are part of a senseless and sadistic farce called life. Already in the first scene, Boris takes hold of another classic action Allen breaks the convention of the fourth wall to tell the audience he and bluntly, some details of his thinking. And so they will know that a divorce just over compatibility with his ex, who teaches chess to some guys that are fun and even assaults, throwing the board for the head, inefficient, who has attempted suicide by jumping out a window, so loaded with a limp.
Eventually Boris will give asylum to a new girl in town, who ran away from home in a southern state and not even to eat. She, even with his simple mind, everything human is not Boris. At the opposite end game dazzled by him, and he got used to it, reason enough to end up married. The girl's mother, bourgeois women, religious and Gross have been looking for her lost daughter, is soon to appear. Of course loathe to his son and try by all means make separate. As
at least another 32-odd films of Woody Allen, deep down no one is happy with your place in the world. The difference here is that stereotypes are so abundant, basic, and the changes that operate on them so obvious and trite, if Boris himself paid a ticket to see this movie, do not hesitate to ask the head of the director. Boris is undoubtedly the great success of That thing works, a truly remarkable character not by what Allen drags genetics (in excess), but for the rare violence that accompanies such classic grimaces. Still, the movie (With moments of humor acceptable) not traveling until he leaves, yielding to the temptation of Hollywood ending , cliché which the director has managed to mock. Unlike will meet the man of your dreams , here's a happy ending. That is certainly not conventional, but no less happy. And this in a movie with a character like Boris, no longer an unforgivable weakness.

Article originally published in Culture and Entertainment section of Página/12

Buy Lemon Baking Chips

Library: Into the Wild, Jon Krakauer

First

history
Spring, 1990. After graduating from Emory University (Atlanta), Chris McCandless left his home in his old Datsun 82. Not coming any more. Its aim is to travel America. And it will, with varying degrees of success, from south to north, reaching Alaska.

In their journey, lead a nomadic life. Broken relationships with his family, except his sister, Carine, with whom he will communicate. Renamed, will be renamed Alex Supertramp. Hitchhiking, dozing in the open on the outskirts of large cities, train collisions, precarious jobs, little food ... and friends on the road to help and those who find a kind of understanding that his family never found. But nowhere is it enough to call home. Its aim is different: to reach Alaska and fulfill his dream.

Two years later, in April 1992, Chris / Alex enters Alaska, poorly equipped, with very poor media. A synthetic parka, a pair of waterproof boots, a Remington rifle, a bag of five kilos of rice, two sandwiches, a bag of corn chips, an outdated map, a compass and books, a lot of books that will become your single company. Cree will not need more. Intend to live, survive, what lands give Alaska, hunting and gathering edible fruits and berries.

Life will show you a cruel way how wrong I was. Two months later, five hikers found his body in his own sleeping bag in an abandoned bus that he was home improvised. A body consumed by hunger and barely weighed thirty kilos.

At his death, there were many voices who spoke about him. Some accused him of crazy, reckless, unconscious, little more than enlightened. Krakauer himself was heavily criticized for glorifying his figure in the Outside magazine article in its January 93, the starting point of this novel. In contrast, others saw it as the ultimate romantic, like a monk proclaimed messianic, anyone who would listen, that another life if that was possible.
A life away from society, unaware of its rules and conventions. A life away from modern life, no security, no welfare, without their way of life, as tech and oppressive at the same time.

In a letter to one of these friends of the road, an eighty-year-old retiree who curiously changed life itself, it is quite clear.

(...) Be bold. Too many people are unhappy and do not take the initiative to change their situation because they have been conditioned to accept a life split based on stability, convention and conformity. It may seem that everything that gives us serenity, but in reality nothing is more damaging to the adventurous spirit of man that the idea of \u200b\u200ba stable future. The core of the human soul is the passion for adventure. Bliss of living comes from our encounters with new experiences and hence there is no greater joy than living with a constantly changing horizon, the sun is new and different every day (...) Do not throw roots, not you settle. Change location often leads a nomadic life, renewed every day your expectations (...) You're wrong if you think that happiness comes only or mostly of human relationships. God has placed everywhere. Is in each and every one of the things we can experience. We just have to be brave, rebel against our habitual lifestyle and begin to live outside the conventions (...) I hope that next time I see you're a new man and have accumulated a wealth of experience and adventure. Do not think twice. Do not try to find justifications for postponing. Just go out and do it. It's that simple. You will feel a great joy for having embarked on a new path (...) After

legend. About

McCandless has been said and written, but it is also true that his life is a mystery. Why this be so extreme? Why not try to help? Why stay on the bus while he was dying of hunger? Their motives, their aspirations, what he wanted, his life after this adventure ... it took him.

In this sense, the book by Jon Krakauer is an attempt to rebuild his footsteps, trying to shed some light on passages less documented. To this mixture the story of his adventures with letters, with his brief diary written in third person in the last leaves of a plant guide, with passages underlined in the books he brought with him and, above all, with the testimonies of those friends left the road and family members who seemed almost a stranger.

Without doubt, the figure of Chris McCandless is controversial, maligned and glorified equally. But I think we should acknowledge that despite his apparent folly, had the courage to live by as I thought and that although the consequences were tragic, was able to spread their message, it eternal and global, in a story, its own history, so particular and tragic, that manages to touch and stir consciences.

was able to make us see that there is another way of living, at a time when we all do the same, we are going to the same places, like sheep.

All this cocktail served also to Sean Penn to direct his fourth film Into the Wild ', 2007, and starring Emile Hirsch. Quite a critical and commercial success that brought the figure of McCandless to the general public and became almost a legend.









Into the Wild Jon Krakauer

Barcelona: Ediciones B, 2009. Zeta
Pocket, 139. 188 p.
ISBN: 84-96778-74-0

Standing Rib Roast Vieo

CINEMA - Lips, Santiago Loza and Ivan Fund: construction on Crossroads

medical Three come to a rural village. They are there to make a survey of the social and health situation. Tepidly supported by local authorities, are housed in an abandoned hospital, about to be demolished, which will also begin to know each other. Although the picture is not pretty, people live miserably, with a high degree of unemployment, sickness and abandonment, "there is in the eyes of three women no guilt or shame or trial. Deeply human, begin to integrate into the rhythms and customs of the community, each with the edges of their own experience. This assimilation to the new environment will be neither easy nor free. The beautiful final scene does nothing to portray the hard ethical and poetic process.
Lips is a film of crossings and connections. Are those that occur between documentary and fiction, between narrative and description, and primarily between two film looks very powerful. Both Ivan and Santiago Loza Fund come from very solid film careers and meeting one way bustosdomecquiano has produced nearly a third entity independent of themselves. A ghost is as real as those who roam the tense calm of lips.

Article originally published in the Culture section

Argentine Time

How To Feel Before My Period

INTERVIEW - Ivan Fund and Santiago Loza, director of the film's lips.

Lips , the film went to duo Santiago Loza and Ivan Fund, is one of the most important releases last year and only now, after an intense schedule of festivals. A journey that had its peak in the best actress award given in conjunction with the protagonists Adela Sanchez, Victoria and Eva Raposo Bianco, section Un Certain Regard at Cannes. This is the first Argentine film receiving the most important festival in the world, from those obtained by Pino Solanas over 20 years.
The film takes place at the intersection of fiction and documentary (see box). Some of his characters are represented by the common people San Cristobal where it was filmed. Characters that the viewer may seem too to reality (or fantasy for certain stereotypes of realities that actually know). However, to the directors that intersection, the mutual assimilation of reality and fantasy, never posed a problem. "I never felt like a limit, because we knew what we did not want to be the film in the ethical and aesthetic," said Fund. Loza, his partner, added that "everything would appear transcended mere exposure, that every person who appears as a character has a dramatic entity and identity. And the film is taken the time to portray them as individuals. " "There was no chance of a look miserabilist or offensive," adds Fund.

- Do you think lips is a political film? Loza
: "Yes, but not social or political film, not a film of denunciation. There are political, but from a very intimate.
Fund: "There's a bone that has to do with something else. Loza
: "If political talk of tenderness, then it is a political film. But since she did not propose any solution.
"It's clearly not an activist film.
Fund: "If by militant means to believe, have faith in something, then yes. We went to look for something, to see if there was, and that appears in the film. Loza
: "But it is cyclical: it refers to something happening here and now. In fact, the little story of strangers who go to remote site and end up being part of that place, is something that can happen now, 50 years ago and will continue to happen. You do not have to do either with the current government or a particular political idea.
-How does the experience of crossing two aesthetic looks like they can get each one individually.
Fund: "It happens that we have a friendship and started working on lips four years ago. Loza
: "When the shooting had not only written a script, we had also made notes against the script, we had refuted. So when we started shooting and had a deep trust needed to resign or accept what the other can offer.
-No need to hit. Loza
: "No, we run forever, but not so much shooting because he had to act. But of course we had differences and there was much discussion.
Fund: "While it may be that everyone has different paths, went to the same side. Loza
: "The aesthetic looks are different and the movie is that bid.
"There's a scene in which the subjects move along a path and a boy follows them and goes hand in hand with one of them. That scene defines precisely the intersection between reality and fiction that takes place within the film. What premises are managed to guide it?
Fund: "The premise was to allow it to happen. Loza
: "OK that might happen.
Fund: "Actually this is one of the scenes happened naturally.
"And it shows. Loza
: "Then there is a huge job editing Lorena Moriconi, but the base that was to remain open.
Fund: "It was necessary not only to build, but to receive, be careful. Especially actresses. Loza
: "We feel that sometimes the world opened to us generously. To think that all those people who helped had had no previous contact with the film, nor the construction of fiction. And they responded with an ease that sometimes can not find in many actors. Were in line with something that looked the film.
-elected three female protagonists. Why did they need to tell the story from the feminine? Loza
: "There never was another option, never question it. There was a decision: we have always been women.
Fund: "Then you start to find reasons or explanations. We could suspect what it might mean and then began to appear reflections that came to complete what was already given. Loza
: "There is also the question of the title, lips, we always liked.
Fund: "Because has to do with the senses, with a form of contact with the world. Of course there is a very feminine universe but transcends gender.
"Although everyone has their own career paths, by transcendence, by diffusion, lips may be the most successful film of both.

Fund Loza and look, hesitate. They do not seem happy with observation.

Fund: "If success means winning a prize in Cannes: safe, yes. But I do not I can stay in it. Is great, but no. Loza
: "I wish to repeat that, but the real success is that the film exists.

Article originally published in the Culture section Argentine Time.

What Do The Numbers Mean Ona Toaster

Buzz-Honey, I'm going to buy cigarettes and back of Gastón Duprat and Mariano Cohn: Human cruelty

The new work by the duo formed by directors Gastón Duprat and Mariano Cohn (although virtually the case of a trio all feature films have been written by Andrew Duprat, Gaston's brother) Honey, I'm going to buy cigarettes and back, like the previous two - Artist (2008) and The man next door (2009) - brings back a lot of salt in their pockets and fabric for cutting. In previous work, Cohn and Duprat presented some interesting topics not go unnoticed, and renews its third fiction that custom. If The Artist raised the issue of the boundaries of art and artists, and The man next door questions were primarily social, in his new film stress with a game between creation, creator and creature It does not seem innocent. One of the potential is ethical discussions as well as aesthetics, and can be summarized simply: what responsibility are a writer, a painter or, for that matter, a film director on his characters. Are they responsible for the circumstances facing creatures once released into these worlds of paper or celluloid? How far can afford to intervene in fact they will live or how they are going to do?
Honey, I'm going to buy cigarettes and go back start in one place and maybe a remote time, the story of a merchant who is hit and killed by lightning in the desert. Miraculously, and refuting the meteorological laws indicate that lightning never strikes twice in the same spot, the man is revived by another shock. As with Christopher Walken in The Dead Zone , that go back to the light and leave you a gift. But far from Cronenberg, the man from evil and playful (as a boy), that power will not live as a punishment or use it with prudence, but anonymously for fun at the expense of others (the old distinction between "laugh" or "laugh").
Some believe that the artist's work is that of a mere clerk, a medium, the essential tool for the stories move from the limbo to matter-a necessary evil, "and that the less you notice your presence will work perfect . In front are those who believe it is a powerful demiurge, whose privileges are to be able to have their characters for the slap, just for the whim of telling a story at home. Here lies the Bedouin revived and directors. As they criticized the Cohen brothers more than once, or themselves in The Man the lad or these other brothers (Cohn-Duprat), used to give character to another, Ernesto, the protagonist of Honey, I'm going to buy cigarettes and then or, and through him to manipulate and not to demolish one but several destinations cruel. Ernesto is a man crushed by more than 60 years of a life rich in frustrations, which the directors, through a narrator Alberto Laiseca, acting master himself, it can qualify as mediocre. That is true: perhaps your life and Ernesto himself be mediocre but also perhaps, is a conclusion that the viewer could get by itself. Open qualifying course of mediocrity allows an overflow of black humor and harsh about it and this is where abuse is suspected. As if the game was causing damage. Bedouin that is beginning to Ernesto in his town and he plans to return in time, the date he wants to relive 10 years of his life the way you see fit. In that time, only now it will delay it takes to go buy cigarettes at the kiosk (hence the title). In return you will receive one million dollars. Ernesto different pasts will always showing signs of incompetence, cowardice and other defects. But far from no way out, seems to be the managers themselves who hide and seek with mischief, just to enjoy their defeats is a joke and not a criticism of mediocrity. Cohn and Duprat
jump on top of a pyramid of predators, devoting himself to see and enjoy the mote in your neighbor's eye. Below them is the narrator, who does not hesitate to laugh at the mediocrity of Ernesto but also the Bedouin, who, with power in their hands, they also only managed to mistreat others. The resurrected Ernesto abused and this, of all those believed to have collaborated in the past to punish him with a present unhappy. The effective result is a comedy but bitter (bitter), in which principals excel again getting actors like Emilio Disi and Dario Lopilato (who plays Ernesto different stages of life) of their television stereotypes, to round very interesting interpretations. Special mention to the well-known theatrical talents of Don Alberto Laiseca, whose tone between rural and sadistic, get to have grace the more arbitrary cruelties.

Article originally published in the Culture section and show Página/12.

Crisco Fo Masterbation

CINEMA - come for the gold, come all, Paul D'Alo and Cristian Harbaruk Abba: The people united

The postcard landscape seems, those who are enamored of showing the monumental series of curves and straights punctuated by thick layers of white, and at first glance they get hit. However, these murals depicting the mountains live not enough to fool anyone, as those cartographers dedicated to Borges, who plotted a map of an empire as big as the empire itself, we sense that reality is even more excessive and exuberant and perfect what can be seen in the vast a movie screen. These moles of mineral and snow, a man dressed in humble clothes work, close your little box of wood with a chain and padlock and goes to work. To unload trucks. That is Esquel and the action takes place in 2002, shortly after the crisis unleashed that kept the country on its knees for a few years longer, and the level of unemployment which is suffocating the city reaches 40% rubbing. Although it is one of the most visited Argentina, some of the residents recognize that tourism is the silver dealt three or four, which employ, it is true, but pay poorly. It is logical that at this stage the arrival of a mining project to extract gold from large scale represents a possibility to hold a hope that does not want to lose and feel Esquel return opportunities. But fairy tales, proven, do not exist.
The debut of Paul D'Alo and Cristián Harbaruk Abba, the award-winning documentary come for gold, they come across portrays the collective odyssey undertaken by the community of Esquel from the company's proposal to create Meridian Gold a large open pit mine amid the mountains, to exploit a vein of gold. The project divided the people of Esquel between those who supported the project (promoted by the provincial government) as a needed source of labor, and those who rejected it, knowing the many cons that just digging a little, began to appear. Is that for a mine of this kind is necessary to go (literally) half of a mountain, using large amounts of explosives. One of the engineers in charge of the project explains to a group of neighbors (and cameras) that to obtain 10 grams of gold is necessary to fly one ton of rock. Only 10 grams, which is then separated from the stone using millions of gallons of water and cyanide. The environmental impact of such a combo would not only affect the landscape and species but also, eventually, to the health of the population of Esquel.
The interesting thing coming for the gold, they come across , is the efficiency with which the directors explain in a didactic way that foreign companies benefit from a mining law enacted at the time of Menem. Meanwhile, portray the process of fighting a group of residents who strongly oppose the mine, without forgetting at any moment the arguments worthy of consideration elsewhere. For a family of chronically unemployed, what is the difference between slow starvation or die slowly poisoned? The curious thing is that the group of people who supported the arrival of the mine was a remarkable social diversity, and bringing together people from upper middle class (those who in one way or another would benefit from the venture) and the mass of unemployed or underemployed , where the situation called for an urgent solution.
in the polarity of this group is where it became apparent that fundamental problems in Esquel were others, and that had nothing to do with the tricky timing of the open pit mining. Problems should be resolved and that D'Alo Harbaruk Abba and have managed to express clearly in the narrative weave. As much as ts done to portray the social conflict and the pursuit of a resolution exemplary democratic. Without major disruptions and by a popular referendum, the project was finally rejected by 82% of voters and still enjoys the profile Esquel virgin mountains. Even so, the offices of Meridian Gold never left town. Will it last for the vultures also lost hope?

Article originally published in the Culture section Argentine Time.

Lots Of Phlegm Taste Like Blood

Interview

Javier Almazan, more and better known as co-pilot, is one of the most prolific musicians and agitated for national pop scene. With two great albums and a fantastic EP behind them, the Huesca just released their third album this week, The beginning, disenchantment and the circle of confidence, eleven new songs that proves how good you are. In SextoHombreDigital, fans of Aragon as we are, we really wanted to talk to Javier, and here we present an interview in which he talked at length about his career, his new album, Dreams ... Come and read;

- To not miss the custom, first of all, who is co-pilot?. How do you introduce yourself to people you do not know?

I'ma guy who loves music and tries to make the best songs that is capable of.

- A must, Why Copilot? Where viene el nombre?

Siempre es complicado elegir un nombre y, aunque soy un solista, no me apetecía presentarme con mi nombre y apellido. Primero fue la canción "Copiloto" y de allí, el nombre. No se me ocurrió otro mejor y me estaba empezando a agobiar.

- ¿A qué edad te diste cuenta de que querías dedicarte a esto? ¿Cómo fue tu primer contacto con la música?

A los 13 años, durante un verano. En el pueblo donde pasaba las vacaciones había un chico que había tocado la batería en un grupo (a esa edad, entonces, que alguien tuviera una batería o un bajo, te parecía alucinante) y la tenía en una casona. Nos got together with another who played bass, drums and other good, I could not play anything and sing a little. Sang what they could play. Loquillo things of Police ... things like that ...
But I think since 12 years already had that idea.


- That show is your fourth album as co-pilot, what has changed since we published the first?

is actually the third album (the other is an EP, "Ignatius EP").
industry has changed a lot and "indie", but everything has changed my view of it all. Everything around me. My point of view and my opinion has changed dramatically. I had my moment of disappointment and I'm renewed.

"I can not believe that if you devote yourself exclusively to the music, not be a record year. I guess the overall pace is occupied by the economic interests and the market but, hell, in his first year as group, the Beach Boys took four albums! If I could live like this, I would remove them for study rather than play out there. "

- Given the current state of the music industry, your average is one album per year, is it something you set out or need to go shooting all the issues that compose?

A little of both. I do not know what will in the future, maybe stop a bit, I dunno. But I can not believe that if you devote yourself exclusively to the music, not be a record year. I guess the overall pace is occupied by the economic interests and the market but, hell, in his first year as a group, the Beach Boys took four albums! Four! If I could live on this, I would remove them for study rather than play out there. I do not know if the quality would suffer but the amount of songs he would record, the number of hours that would cast!

- Let the mess, What we find in "The beginning, disenchantment and the circle of trust" ?

A pop album with arrangements, melodies, vocals and a more realistic and ironic spirit that my previous albums. sounds like a cliche but I say convencidísimo is my best album by far.

"If you can recognize and accept your limitations and those around you, there is when everything really begins to be authentic. "

- Where does the album title?

Talk to me and personal development of which I spoke. In the beginning is all illusion, perhaps you miss hope, I think I passed. The first album the second it was all so fast that I did not stop to wonder what was happening or what was the whole roll. When I braked and looked around me, all those new clothes the emperor, all these franchises, everything I had believed and it was not true ... I was disappointed to the point of wonder if quitting. And he was about, I rediscovered the real reason I got into this, to make songs, play them and burn them withthe people you enjoy. That's it. The rest is superfluous. Or not depend on you or is it just luck or cases in which I do not want get involved because I have more important things to do (like writing, playing and recording) If you can recognize and accept your limitations and those around you, Hence, it is when everything really begins to be authentic. Be you and a circle of people you have confidence, you feel comfortable. That's why we have called the band "The circle of trust." Enjoy the intimacy of the room where he composed, the essays, the study ... What underlies everything.
In short, a little zen. I have to invent a more mundane or more cool. But now we just occurred to me to tell you the truth.

- Songs of the disk, did not correspond to the same stage of your life or there is no connection between them?

are all from the same period, a year from now or so. I've "rescued" no. With the band worked on some songs "old" but, although they were well, were out of place in this album.

- As you know, we live in a society in which everything, absolutely everything, seems to need a label, so how catalogarías your music?

Pop What I really like is to call it popular music. That is what it is. But ... You decide. Put the two you want.

- At the time of writing, where to start, why the music or the lyrics?

To date, usually music. Wheels play chords or riffs and singing going over until I think I have a melody more or less decent. Then comes the hard part; match point in the half decent melody. The problem is that the cool tunes (at least in my opinion) are very indebted to the English. That is, many monosyllables and many plain words. Our language, so rich, go short of monosyllables. So, to me, I find it easier to make letters in English than Castilian. Melodically quiero decir. No quiero que se me malinterprete. Hago canciones en inglés relativamente buenas que destrozo cuando adapto al castellano.


- Con qué instrumento te sientes más cómodo ¿con la guitarra o el piano?.

De momento con la guitarra, pero me estoy poniendo las pilas con el piano. Amplía el abanico de posibilidades. Y compones de manera diferente. Cuando tu profesión (o lo que te gustaría que fuera tu profesión) es hacer canciones, tienes que aprender y mejorar cada día. Formación continuada, lo llaman en los trabajos "de verdad".


- A la hora de tocar, qué prefieres, ¿hacerlo in acoustic or accompanied by your band?

Today, with band.

"That caught me working muses. I'm no genius. I have to squeeze the head more often than I appear."

- One of the themes of your previous album was called "Moleskine" . Are you one of those who always carries a notebook to jot down what you can get to happen?

Absolutely. That's me. That caught me working muses. I'm no genius. I have to squeeze the head more often than I appear.


- One of the songs we liked most about your new album is "SP" Why did you choose Ana Muñoz (Louisiana) so that you sing?

Well, Ana is my friend and very talented girl. I was especially excited to sing with her. We were a little afraid of the two plan to stay in the song "duet" but we want that back down. I think we've done pretty well in that regard. We did not have overreacted coo ja ja ja.
I always loved the voice of Anna And even his voice, his phrasing. It's as yours ... It is impossible to counterfeit. Ana only one.

- Changing the subject a bit, What is Internet Copilot, "an ally or an enemy? Allied

without a doubt. You'll have something that does not make you special grace but in general is very good.

- What do you think social networks?

understand that you mean the field of music (and not the sociological and educational level). I have no particular opinion. Neither good nor bad. Is what you get is the sign of the times. I like them, use them very often on a personal level and rock star status.

"I creditófilo. I love to know what Who played who has written such as music or lyrics, that study was recorded, the producer, technicians, thanks ... "

- When people consume music," Cd vinyl?

I love to tell you that vinyl. In fact I have bought turntables and vinyl but, man, when the truth I'm lazy and throw CD. What we do is the ritual of coming home with the cd , and listen to leaf through the booklet while I read the letters, I am a creditófilo. I love to know what has touched who, who wrote such music and such a letter, that study was recorded, the producer, technicians, thanks .. . I read everything.


- What do you do when you come home and stop being co-pilot and you become Javier Almazan?

Enjoying my wife and my son. Over time I learned to separate different plots of my life and not eat any other. Before it was a disaster ... All learn ... And keep learning.

- Talk about musical tastes; What would you say are your biggest influences at the national level? What about internationally?

if not have influenced me but I have burned his records both listen:
National (I left thousands)
La Costa Brava, La Granja, El Nino Gusano, Serrat (since childhood, at home sounded very often), the first three of The Planets marked me deeply, perhaps too much. Like many others, too many perhaps. But they were previous albums. International

:
Beatles, Eels, REM, Stone Roses, Suede, Blur, Jesus and Mary Chain, The Smiths, The Lemonheads ...


- What is the record that most are listening to these days? And the song you can not out of your head?


"Collapse Into Now" of REM.
"EveryDay is yours to win " on that disk.

" With so many offer comes a time when you get stuck and go back to your old records as if they were a safe haven. Like when you travel and travel and travel and just want to go home. "

- Tell us, is there any group that we've recently discovered and want to recommend?

'm over being found out groups me. What happens is that with so much supply comes a time when you get stuck and go back to your old records as being a safe haven. Like when you travel and travel and travel and just want to go home.

- Tu favorite band of all time;

Beatles.

- The musician or group that you would like to share the stage;

Anyone you respect.


- Imagine your CD collection starts to burn and you can only save three, which ones would you choose?

Beatles: "White Album"
EELS: "Blinking Lihgts and Other Revelations"
REM: "Automatic for the people"

- One of our favorites, what listen hard when you're alone and nobody know can see and hide when you visit?

blest Serrat. And the whole song with vibrato and accent and all.

- To be finished in SextoHombreDigital have the tradition that every guest leaves a question "blind" to the next interview. In your case, Alex Ferreira left it for you; you change everything you know to know half of what you ignore?

Damn Alex! Well I do not think that I would not change. I'm in good shape.


- Feel like leaving a? Yes


You said that you like a record that, at bottom, can not stand because it was supposed to like? "Once? More than five? More than ten?

- Before the end, what cities to visit in the coming months to make the album?

the moment all I'm going to get wet with the concert that you're closed, they are Zaragoza and Madrid. But we go further confirmed shortly.


- Any project more in hand? I have always

things on his mind, but talk of them when they are a reality.

- nothing more, Javier, has been a real pleasure to talk to you. A big hug, see you at a concert.

The pleasure has been mine, really. We are safe.
A hug.